The film is silent except for four short segments of sync sound, interviews with a man and a woman, which touch on two areas: control and anger; and the pressure of history on one’s identity-how do I identify myself as “I”, how as part of a “we”? The film is visual, perceptual; it was made in awe of the world that goes on with and without us and of our personal, human struggles. It is a film about life and death; a film of discrete units of the eternal and a film of living here and now. It was built up frame by frame-a film about power, played in insignificant terms, in the daily, barely noticed gestures, scenes, frames.