The experimental animated film, El Canto de las Moscas, translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945-2003) and the audiovisual dialogue between 9 Colombian women. In 24 places that are visited during the course of a day, a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analog materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.