'See the soft pink, white and blue pools of the Dead Sea in Your Body Is A Mine (2019), its shimmering expanses of salt flats and pink cliffs, its pale shores littered with salt factories, commercial spas for tourists, political trauma and apartheid, a geo-political space of weightlessness and weighted politics, of extraction and violence and wellness. The light in the film is overpowering—it trembles. No bodies but industrial bodies in sight. “The quality of light by which we scrutinize our lives has direct bearing upon the product which we live,” Audre Lorde writes, famously, so lit. But what if there is no light, in some interior, and what product?' (Quinn Latimer)