Poti Pati is a film based on a monologue that a character has with himself—or with his double—the text challenges the characters, brings them closer together, punctuating it with body movement. The materiality of time is sought in the details of space and in the imaginary functioning of obsolete machines. Poti Pati expresses, in the polysemy of the monologue and in the migration of images between the observer and the observed, a challenge to the viewer-observer whose cinematic references are summoned.