It’s October 2019, and four progressive women are documenting the uprising in Beirut. They are journalist Hanine, Iraqi camerawoman Lujain, and Noel and Michelle, two artist sisters whose often-ironic songs have made them a voice for their generation. The prevailing mood is one of hope and change. But a few months later, Covid-19 has locked down the city, and all optimism seems to have evaporated.