The documentary reflects Uku Masing's life as an inner migrant during the restricted conditions in the Soviet era, including the repressions by KGB and keeping quiet about the writer. The main channel for distributing Masing's work was manual copying. As the last part of the film trilogy, the film follows the scope and influence of such activity while combining the subjects of KGB, Masing's wife and manual copying of Masing's work based on recollections by about thirty people touched by the great man.