A succession of visual emotions in a sort of “filmed rotogravure,” where sequences and segments follow an ironic and dramatic logic that highlights the obsessions, the poverty, and the myths that shook the neoconsumerist society of those years. This approach frames, but at the same time transcends, pure reportage, venturing into a reflection on the meaning of seeing and imagining. The techniques employed range from direct rotoscope to works-in-progress, from citationism to photographic contamination.