Basil Fenton-Smith
Sound professionalDiscover Basil Fenton-Smith, acclaimed sound professional known for The Man Who Would Be King, One, Two, Three. Explore the complete filmography and find where to stream the best work.
About Basil Fenton-Smith
Basil Fenton-Smith is a renowned sound professional, with 21 credits to their name. Their most acclaimed works include The Man Who Would Be King, One, Two, Three, The Bible: In the Beginning....
Known For
Complete Filmography
Ray's Insights
Portfolio Overview
Basil Fenton-Smith has contributed to 21 unique projects, with an average rating of 6.7/10. Their work spans both film and television, showcasing diverse storytelling.
Career Timeline
Basil Fenton-Smith continues to make an impact with their ongoing work.
Primary Expertise
Known primarily for sound professional. Basil Fenton-Smith works mostly behind the camera: 21 films.
Current Popularity
Basil Fenton-Smith has a dedicated following, with a popularity score of 0.2.
People Also Ask
Which titles feature work by Basil Fenton-Smith?
Basil Fenton-Smith has contributed to acclaimed titles including The Man Who Would Be King, One, Two, Three, The Bible: In the Beginning... and more. That is 21 credits in total. Primary field: sound professional.
Basil Fenton-Smith — what are they known for?
Primary field: sound professional. The highest-rated titles are The Man Who Would Be King, One, Two, Three.
How many titles does Basil Fenton-Smith have?
Credited on 21 films. 21 screen credits in total.
Basil Fenton-Smith — what are the latest titles?
Basil Fenton-Smith is still working. The full filmography above shows the latest and upcoming projects.
Where can I watch titles with Basil Fenton-Smith?
TasteRay shows streaming availability for these titles. We aggregate data from Netflix, Amazon Prime, Disney+, HBO Max and 50+ other services. In our catalogue: 21 films from this filmography.
Basil Fenton-Smith — social media?
No verified profiles are linked here. TasteRay still provides the full filmography and shows where to stream the titles.
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